Nice to meet you!

I’m a producer and audio engineer with a wide-ranging, hands-on background that shapes how I approach non-fiction audio. On some projects, you’ll find me in the field—recorder kit in hand—searching for the perfect tone-setting ambi or helping a guest feel comfortable for their first sit down interview. Other days, I’m behind my desk writing scripts, building production calendars, troubleshooting remote recordings with high-profile guests, or sound designing immersive scenes. I love moving between the technical side of audio production and the creative side of storytelling to craft cohesive, engaging stories.

I began my career at Blowback Productions, working alongside renowned documentary filmmakers. There, I honed my skills in field reporting, interviewing, and narrative editing, learning from some of the industry’s best. With a degree in music business, I also took on the role of Music Supervisor, overseeing music scoring, sourcing and licensing for clients such as CNN, CMT, Al Jazeera America, and Sundance Channel.

At Beta Petrol Productions, I expanded my music supervision work, composing, producing, engineering, and licensing music for major advertising agencies. There, I developed a deep understanding of translating non-musical client feedback into precise direction for composers and producers, while managing and curating a comprehensive music library.

The transition to podcasting felt like a natural evolution, blending my documentary and audio production skills. I now lead teams through sensitive field recordings and interviews, apply my music supervision expertise to deliver the perfect cue for the content, and implement efficient post-production workflows that streamline communication and boost team performance.

I live in upstate NY with my partner, our dog Squash, and our two cats Jeri and Steve. When I’m not working, you’ll usually find me gardening, hiking, or watching reruns of Deadliest Catch.